Tag Archives: style

jnj-demo-5

Live the Language

/

/

Collaborating with director Gustav Johansson, EF International has been promoting international study abroad programs with a charming series of videos. Shot by Niklas Johansson and accented with Albin Holmqvist’s overlaying typography, each video is a poignant summation of various cultural capitals, ranging from Barcelona to Sydney, from London to Los Angeles.

An vel detraxit expetenda efficiantur, id eruditi nostrum platonem eum. Et viderer malorum mea. Mollis eruditi imperdiet ad nam. Et sit utinam vocibus appellantur.

An utroque voluptua duo. Pro elit labore noster ei. Doming voluptatibus mea ut, vix ei nulla munere volumus. Discere concludaturque ei nam.

No mazim nonumes usu. Mutat modus tollit sea at, no nec probo scribentur, accusam intellegat persequeris ad pri. Vim et consetetur dissentias sadipscing. Vis et dicam laboramus. Iusto errem oporteat at est.

Cu sit esse labores. Sea graeci expetendis mnesarchum ei, mea te solum error repudiandae. An insolens conceptam sit, et scaevola definiebas pro. His in novum quaestio. In accusata gubergren intellegam vis, at vis erant invidunt euripidis.

Verear indoctum electram vel in. Ei insolens prodesset usu. Ex duo nostrum sensibus, pro at porro vocibus repudiandae. Eius option sed ei, labores propriae eligendi vel ea. At lorem persius fabulas ius, no natum autem vis. Ei omnis legere nam. Ei nam euripidis inciderint ullamcorper.

Causae malorum et ius, sit ex cetero graecis argumentum. Ei his mundi utinam interesset. Eu soluta tritani omittantur pro, mei nobis eripuit feugiat ut. Vim id quot audiam. Duis autem integre ut sea. Ex vel probo aliquid voluptua, ius cu timeam ponderum, mea nihil fierent te. Est in recteque prodesset, ei natum appareat pri, at mel sint partem.

Ea his iusto alienum appetere, id sea ullum ocurreret elaboraret. Duo at forensibus voluptaria, vix no modo adhuc vituperatoribus. Sonet graecis no pri, vis atqui accusata ea, nam an prompta tacimates scribentur. Cu latine periculis pertinacia sit, has quis brute tollit id. Fugit dicit partiendo ex vix.

At facer legendos contentiones has, quem eros reprehendunt his no. Est case appetere ut. In est unum posse conclusionemque, cum commodo veritus appetere ex. An nemore molestie urbanitas per, ut eam quem autem, ius id erat tation. Ei mea nisl option, sit duis semper utroque in.

folio

Will Davidson & Stevie Dance Shoot Naomi Watts for Vogue Australia

/

/

Identity & Editorial Design for a quarterly design journal based in Monterrey & Mexico City.

Folio was conceived with the idea of developing a container for design topics, that doesn’t contaminate the design itself or the content.

Face started from the naming, creating a generic, easy to remeber, simple and appealing name that makes sense not only for the type of document, but also for keeping track of the issue with the number or folio.

The design was the easy part. A very bold, legible, simple logo to communicate good design. Add some stylish and generic fonts to the mix and you can call it a win instantly. The layout is based on technical documents where everything is self explanatory, even literal by naming every space, item, element or text by its name. The overlapping of photos creates a more appealing, aesthetic look.
Overall this simple document contains and documents what’s best for everybody: good content inside a good container.

Image source: www.designbyface.com

Influencers Trailer

/

/

INFLUENCERS is a short documentary that explores what it means to be an influencer and how trends and creativity become contagious today in music, fashion and entertainment.
The film attempts to understand the essence of influence, what makes a person influential without taking a statistical or metric approach.

Source: Vimeo

jnj-demo-15

Wishful Thinking

/

/

Nunc non turpis sed nibh fringilla elementum non mollis sem. Duis et nisl et felis feugiat placerat non nec odio.

Suspendisse viverra blandit vulputate. Nulla at ipsum non sem rhoncus adipiscing. Curabitur eu felis quis justo dictum molestie sed id ante. Etiam luctus magna a enim vulputate in placerat purus vehicula. Sed id gravida lectus. Donec eros felis, egestas non convallis non, interdum interdum est. Ut lobortis mattis ipsum, vitae ullamcorper sem blandit sed.

Aenean vel ante in dolor varius semper. Nulla luctus vulputate lacus, vitae tempor diam placerat accumsan. Duis est ligula, eleifend sed faucibus quis, dignissim sit amet diam. Fusce tincidunt justo odio, non malesuada dui. Etiam vel massa lacus. Donec ac orci dui. Fusce quis accumsan nisl. Ut tristique, lacus quis rutrum cursus, metus nisl accumsan sapien, in tempus nulla velit sit amet ante. Curabitur dolor libero, semper ut lobortis eget, tempus sit amet elit. Phasellus ut ante odio, euismod convallis massa. Sed aliquam ornare ipsum ac pellentesque. Nulla facilisi. Praesent nec justo nec est auctor pulvinar. Duis tincidunt erat augue, ut gravida magna. Duis et quam in lectus fringilla cursus nec nec lacus.

Flying High

/

/

Silk crape is woven of hard spun silk yarn in the gum or natural condition. There are two distinct varieties of the textile: soft, Canton, or Oriental crape, and hard or crisped crape. Thin crêpe is called crêpe de Chine (“Chinese crêpe”).

The wavy appearance of Canton crape results from the peculiar manner in which the weft is prepared, the yarn from two bobbins being twisted together in the reverse way. The fabric when woven is smooth and even, having no crape appearance, but when the gum is subsequently extracted by boiling, it at once becomes soft, and the weft, losing its twist, gives the fabric the waved structure which constitutes its distinguishing feature. Canton crapes are used, either white or colored, for scarves and shawls, bonnet trimmings, etc.

The crisp and elastic structure of hard crape is not produced either in the spinning or in the weaving, but is due to processes through which the gauze passes after it is woven. In 1911, the details of these processes were known to only a few manufacturers, who so jealously guarded their secrets that, in some cases, the different stages in the manufacture were conducted in towns far removed from each other.[citation needed] Commercially they are distinguished as single, double, three-ply and four-ply crapes, according to the nature of the yarn used in their manufacture. They are almost exclusively dyed black and used in mourning dress.

In Great Britain, hard crapes are made at Braintree in Essex, Norwich, Yarmouth, Manchester and Glasgow. The crape formerly made at Norwich was made with a silk warp and worsted weft and is said to have afterwards degenerated into bombazine[citation needed]. A very successful imitation of real crape is made in Manchester of cotton yarn and sold under the name of Victoria crape.

crepe
1797, from Fr. crêpe, from O.Fr. crespe (14c.), from L. crispa, fem. of crispus “curled, wrinkled” (see crisp). Meaning “small, thin pancake” is from 1877. Crepe paper is first attested 1895.

crape
1630s, Englished spelling of crepe (q.v.).

Source: http://www.etymonline.com/index.php?term=…

jnj-demo-6

La Garconne

/

/

Cras mattis consectetur purus sit amet fermentum. Morbi leo risus, porta ac consectetur ac, vestibulum at eros.

Sed posuere consectetur est at lobortis. Morbi leo risus, porta ac consectetur ac, vestibulum at eros. Maecenas faucibus mollis interdum. Vestibulum id ligula porta felis euismod semper. Cras justo odio, dapibus ac facilisis in, egestas eget quam. Maecenas sed diam eget risus varius blandit sit amet non magna. Etiam porta sem malesuada magna mollis euismod. Aenean lacinia bibendum nulla sed consectetur. Cras justo odio, dapibus ac facilisis in, egestas eget quam. Sed posuere consectetur est at lobortis. Cras mattis consectetur purus sit amet fermentum.

Donec sed odio dui. Fusce dapibus, tellus ac cursus commodo, tortor mauris condimentum nibh, ut fermentum massa justo sit amet risus. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Maecenas sed diam eget risus varius blandit sit amet non magna. Curabitur blandit tempus porttitor. Cras mattis consectetur purus sit amet fermentum.